A SONG OF BIRDS AND
BEASTS
I
gaed awa' to Holyrood and there I built a kirk,
And
a' the birds of a' the air they helpit me to work.
The
whaup wi' her lang bill she dug up the stane,
The
dove wi' her short bill she brought it hame,
The
pyet was a wily bird and raised up the wa' s
The
corby was a silly bird and she gar'd it fa',
And
bye cam' auld Tod Lowrie and skelpit them a'!
I
gaed and I gaed and I cam' to London town,
And
a' the beasts of a' the earth were met fo pull it down.
The
cock wi' his loud voice he raised a fearfu' din,
The
dragon he was dumb, but he creepit slyly in,
The
ramping tramping unicorn he clattered at the wa',
The
bear he growled and grumbled and scrabbled wi' his claw,
Till
bye cam' auld Tod Lowrie and dang them a'!
The
leopard and the wolf they were fechtin' tooth and nail,
The
bear wad be a lion but he couldna raise a tail,
The
geese they heard the brattle and yammered loud and lang,
The
corby flyin' owre them he made his ain sang.
The
lion chased the unicorn by holt and by glen,
Tod
Lowrie met the hounds and he bade them come ben —
But
the auld red rascal had twa holes tae his den!
The
wolf lap in the fold and made havoc wi' the flock,
The
corby cleaned the banes in his howf on the rock,
The
weasel sacked the warren but he couldna grow fat,
The
cattle met a pullet and they never found that.
They
made a wicker boothie and they tethered there a goose,
And
owre the wee bit lintel they hung a braided noose, —
But
auld Tod Lowrie he sat in his am hoose!
NOTE:
There is a pun in the third verse, as "tail" is an old word
for a retinue or following. Albert the Bear was margrave of
Brandenburg, the leopard was the emblem of Anjou, and the wolf in
medieval fables stands for the feudal baron. The unicorn was the
legendary beast of Scotland, and the dragon that of Wales. The cock
stands for France. Henry II. is satirized as the bold and cunning
fox, Tod Lowrie. The allusion to the trap in the last three lines is
to the offer of the throne of the Holy Roman Empire to the English
monarch, during a time of general international hostility and
disorder.
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XIII
A
DYKE IN THE DANELAW
HOW
DAVID LE SAUMOND CHANGED THE COURSE OF AN ANCIENT NUISANCE
FARMER
APPLEBY was in what he called a fidget. He did not look nervous, and
was not. But the word, along with several others he sometimes used,
had come down to him from Scandinavian forefathers. The very name
with its ending "by" showed that his farm was a part of the
Danelaw.
Along
the coast, and in the part of England fronting the North Sea, Danish
invaders had imposed their own laws and customs on the country, and
were strong enough to hold their own even in the face of a Saxon
King. It was only a few years since the Danegeld, the tax collected
from all England to ward off the raids of Danish sea-rovers, had been
abolished. But Ralph Appleby was as good an Englishman as any.
Little
by little the Danelaw was yielding to the common law of England, but
that did not worry an Appleby. He did not trouble the law courts, nor
did they molest him. The cause of his fidget was a certain law of
nature by which water seeks the shortest way down. One side of his
farm lay along the river. Like most of the Danish, Norse, Icelandic
or Swedish colonists, his long-ago ancestor had settled on a little
river in a marsh. First he made camp on an island; then he built a
house on the higher bank. Then the channel on the near side of the
island filled up, and he planted the rich soil that the river had
brought with orchards, and pastured fat cattle in the meadows. Three
hundred years later the Applebys owned one of the most prosperous
farms in the neighborhood.
Now
and then, however, the river remembered that it had a claim on that
land. The soil, all bound and matted with tough tree-roots and
quitch-grass, could not be washed away, but the waters took their
toll in produce. The year before the orchards had been flooded and
two-thirds of the crop floated off. A day or two later, when the
flood subsided, the apples v/ere left to fatten Farmer Kettering's
hogs, rooting about on the next farm. Hob Kettering's stubborn little
Saxon face was all a-grin when he met Barty Appleby and told of it.
It speaks well for the friendship of the two boys that there was not
a fight on the spot.
That
was not all. The stone dyke between the river and the lowlands had
been undermined by the tearing current, and must be rebuilt, and
there were no stone-masons in the neighborhood. Each farmer did his
own repairing as well as he could. The houses were of timber,
plaster, some brick and a little rude masonry. There were not enough
good masons in the country to supply the demand, and even in building
castles and cathedrals the stone was sometimes brought, ready cut,
from France. In some parts of England the people used stone from old
Roman walls, or built on old foundations, but in Roman times this
farm had been under water in the marsh. The building of Lincoln
Cathedral meant a procession of stone-barges going up the river
loaded with stone for the walls, quarried in Portland or in France.
When landed it was carried up the steep hill to the site of the
building, beyond reach of floods that might sap foundations. It was
slow work building cathedrals in marsh lands.
The
farmer was out in his boat now, poling up and down along the face of
the crumbling wall, trying to figure on the amount of stone that
would be needed. He never picked a stone out of his fields that was
not thrown on a heap for possible wall-building, but most of them
were small. It would take several loads to replace what the river had
stolen — and then the whole thing might sink into the mud in a year
or two.
"Hech,
master!" said a voice overhead. "Are ye wantin' a
stone-mason just now?"
Ralph
Appleby looked up. On the little bridge, peering down, was a
freckled, high-cheek-boned man with eyes as blue as his own, and with
a staff in one big, hard-muscled hand. He wore a rough, shabby cloak
of ancient fashion and had a bundle on his shoulder.
"I
should say I be," said the surprised farmer. "Be you
wanting the job?"
The
stranger was evidently a Scot, from his speech, and Scots were not
popular in England then. Still, if he could build a wall he was worth
day's wages. "What's yer name?" Appleby added.
"Just
David," was the answer. "I'm frae Dunedin. There's muckle
stone work there."
"I
make my guess they've better stuff for building than that pile o'
pebbles," muttered the farmer, leaping ashore and kicking with
his foot the heap of stone on the bank. "I've built that wall
over again three times, now."
The
newcomer grinned, not doubtfully but confidently, as if he knew
exactly what the trouble was. "We'll mend all that," he
said, striding down to peer along the water-course. The wriggling
stream looked harmless enough now.
"You've
been in England some time'?" queried Appleby.
"Aye,"
said David. "I learned my trade overseas and then I came to the
Minster, but I didna stay long. Me and the master mason couldna make
our ideas fit."
Barty,
sorting over the stones, gazed awestruck at the stranger. Such
independence was unheard-of.
"What
seemed to be the hitch?" asked the farmer coolly.
"He
was too fond o' making rubble serve for buildin' stone," said
David. "Then he'd face it with Portland ashlars to deceive the
passer-by."
"Ye'll
have no cause to worry over that here," said Ralph Appleby
dryly. "I'm not using ashlars or whatever ye call them, in my
orchard wall. Good masonry will do."
"Ashlar
means a building stone cut and dressed," explained David. "I
went along that wall of yours before you came. If you make a culvert
up stream with a stone-arched bridge in place of the ford yonder,
ye'll divert the course of the waters from your land."
"If
I put a bridge over the Wash, I could make a weir to catch salmon,"
said the startled farmer. "I've no cut stone for arches."
"We'll
use good mortar and plenty of it, that's all," said David. "I'll
show ye."
The
things that David accomplished with rubble, or miscellaneous
scrap-stone, seemed like magic to Barty. He trotted about at the
heels of the mason, got very tired and delightfully dirty, asked
numberless questions, which were always answered, and considered
David the most interesting man he had ever met. David solved the
building-stone problem by concocting mortar after a recipe of his own
and using plenty of it between selected stones. Sometimes there
seemed to be almost as much mortar as there was stone, but the
wedge-shaped pieces were so fitted that the greater the pressure on
the arch the firmer it would be. Laborers were set to work digging a
channel to let the stream through this gully under the arches, and it
seemed glad to go.
"When
I'm a man, David," announced Barty, lying over the bridge-rail
on his stomach and looking down at the waters that tore through the
new channel, "I shall be a mason just like you. The river can't
get our apples now, can it?"
David
grinned. "Water never runs up hill," he said. "And it
will run down hill if it takes a thousand years. You learn that
first, if you want to be a mason, lad."
"But
everybody knows that," Barty protested.
"Two
and two mak' four, but if you and me had twa aipples each, and I ate
one o' mine, and pit the ither with yours to mak' fower and you didna
find it out it wad be a sign ye didna know numbers," retorted
David, growing more and more Scotch as he explained. "And when I
see a mason lay twa-three stones to twa-three mair and fill in the
core wi' rubble I ken he doesna reckon on the water seeping in."
"But
you've put rubble in those arches, David," said Barty, using his
eyes to help his argument.
"Spandrel,
spandrel, ye loon," grunted David. "Ye'll no learn to be a
mason if ye canna mind the names o' things. The space between the
arch and the beam's filled wi' nibble and good mortar, but the weight
doesna rest on that it's mostly on the arches where we used the best
of our stanes. And there's no great travel ower the brig forbye. It's
different with a cathedral like yon. Ye canna build siccan a mighty
wall wi' mortar alone. The water's aye searchin' for a place to
enter. When the rocks freeze under the foundations they crumble where
the water turns to ice i' the seams. When the rains come the water'll
creep in if we dinna make a place for it to rin awa' doon the wa'.
That's why we carve the little drip-channels longways of the arches,
ye see. A wall's no better than the weakest stane in it, lad, and
when you've built her you guard her day and night, summer and winter,
frost, fire and flood, if you want her to last. And a Minster like
York or Lincoln — the sound o' the hammer about her walls winna
cease till Judgment Day."
Barty
looked rather solemnly at the little, solid, stone-arched bridge, and
the stone-walled culvert. While it was a-building David had explained
that if the stream overflowed here it would be over the reedy meadows
near the river, which would be none the worse for a soaking. The
orchards and farm lands were safe. The work that they had done seemed
to link itself in the boy's mind to cathedral towers and
fortress-castles and the dykes of Flanders of which David had told.
The
loose stone from the ruined wall was used to finish a wall in a new
place, across the corner of the land by which the river still flowed.
This would make a wharf for the boats.
"This
mortar o' yours might ha' balked the Flood o' Noah, belike,"
said Farmer Appleby, when they were mixing the last lot.
"I
wasna there, and I canna say," said David. "But there's a
way to lay the stones that's worth knowing for a job like this. Let's
see if ye ken your lesson, young chap."
David's
amusement at Barty's intense interest in the work had changed to
genuine liking. The boy showed a judgment in what he did, which
pleased the mason. He had always built walls and dams with the stones
he gathered when his father set him at work. His favorite playground
was the stone-heap. Now he laid selected stones so deftly and
skillfully that the tiny wall he was raising was almost as firm as if
mortar had been used.
"You
lay the stones in layers or courses," he explained, "the
stretcher stones go lengthwise of the wall and the headstones with
the end on the face of the wall, and you lay first one and then the
other, 'cordin' as you want them. When the big stones and the little
ones are fitted so that the top of the layer is pretty level it's
coursed rubble, and that's better than just building anyhow."
"What
wey is it better?" interposed David.
Barty
pondered. "It looks better anyhow. And then, if you want to put
cut stone, or beams, on top, you're all ready. Besides, it takes some
practice to lay a wall that way, and you might as well be practicing
all you can."
The
two men chuckled. A part of this, of course, Farmer Appleby already
knew, but he had never explained to Barty.
The
boy went on. "The stones ought to be fitted so that the face of
the wall is laid to a true line. If you slope it a little it's
stronger, because that makes it wider at the bottom. But if you slope
it too much the water won't run off and the snow will lie. If you've
got any big stones put them where they will do the most good, 'cause
you want the wall to be strong everywhere. A bigger stone that is
pretty square, like this, can be a bond stone, and if you use one
here and there it holds the wall together. David says the English
gener'lly build a stone wall with a row of headers and then a row of
stretchers, but in Flanders they lay a header and then a stretcher in
every row."
"How
many loads of stone will it take for this wall'?" asked David.
Barty hesitated, measured with his eye, and then made a guess. "How
much mortar'?" He guessed again. The estimate was so near Farmer
Appleby's own figures that he was betrayed into a whistle of
surprise.
"He's
gey canny for a lad," said David, grinning. "He's near as
wise as me. We've been at that game for a month."
"Never
lat on, but aye lat owre,
Twa
and twa they aye mak' fowre."
Barty
quoted a rhyme from David.
"I
reckon you've earned over and above your pay," said Farmer
Appleby. He foresaw the usefulness of all this lore when Barty was a
little older. The boy could direct a gang of heavy-handed laborers
nearly as well as he could.
"Any
mason that's worth his salt will dae that," said David,
unconcernedly.
Barty
was experimenting with his stone-laying when a hunting-party of
strangers came down the bridle-path from the fens, where they had
been hawking for a day. The fame of the Appleby culvert had spread
through the country, and people often came to look at it, so that no
one was surprised. The leader of the group was a middle-aged stout
man, with close-clipped reddish hair, a full curly beard and a
masterful way of speaking; he had a bow in his hand, and paced to and
fro restlessly even when he was talking.
"Who
taught you to build walls, my boy?" asked a young man with
bright dark eyes and a citole over his shoulder.
"David,"
said Barty. "He's a Scot. When he was in France they called him
David Saumond because of his leaping. He can dance fine."
"And
who taught David?" inquired the stranger.
"The
birds," Barty answered with a grin. "There's a song."
"Let's
have it," laughed the minstrel, and Barty sang.
"I
gaed awa' to Holyrood, and there I bug a kirk,
And
a' the birds o' a' the air they helpit me to work.
The
whaup wi' her lang bill she pried out the stane,
The
dove wi' her short bill she brought them hame,
The
pyet was a wily bird and bug up the wa',
The
corby was a silly bird and pu'd it down ava,
And
then cam' auld Tod Lowrie and skelpit them a'."
"What's
all that, Ranulph'?" queried the masterful man, pausing in his
walk. Ranulph translated, with a mischievous twinkle in his eye, for
there was more in the song than Barty knew. Each of the birds stood
for one or another of the Scotch lords who had figured in the recent
trouble between William of Scotland and the English King, and Tod
Lowrie is the popular Scotch name for the red fox. It is not every
king who cares to hear himself called a fox to his face, even if he
behaves like one. David and Farmer Appleby, coming through the
orchard, were rather aghast.
As
they came to a halt, and made proper obeisance to their superiors,
the King addressed David in Norman such as the common folk used.
"So
you hold it folly to pull down a wall? There's not one stone left on
another in Milan since Frederick Barbarossa took the city."
"Ou
ay," said David coolly. "If he had to build it up again
he'd no be so blate, I'm thinkin'."
The
King laughed and so did the others. "I wish I had had you seven
years ago," he said, "when we dyked the Loire. There were
thirty miles of river bank at Angers, flooded season after season,
when a well-built river wall would have saved the ruin. A man that
can handle rubble in a marsh like this ought to be doing something
better."
"I
learned my trade on that dyke," said David. "They Norman
priors havena all learned theirs yet. I was at the Minster yonder,
and if I'd built my piers like they said, the water would ha' creepit
under in ten years' time."
"And
in ten years, that Prior hopes to be Archbishop without doubt,"
said the King with a shrug. "Was that all?"
"Nay,"
said David. "Their ashlars are set up for vanity and to be seen
o' men. Ye must have regard to the disposition of the building-stone
when ye build for good an' all. It doesna like to be stood up just
anyhow. Let it lie as it lay in the quarry, and it's content."
Barty
was watching the group, his blue eyes blazing and the apple-red color
flushing his round cheeks. The King was talking to David as if he
were pleased, and David, though properly respectful, was not in the
least afraid. The Plantagenets were a race of building Kings. They
all knew a master mason when they saw him.
"It
is time to set him building for England"
"So
you changed the ancient course of the flood into that culvert, did
you?" the King inquired, with a glance at the new channel.
"Aye,"
said David. "No man can rule the watters of the heavens, and
it's better to dyke a flood than to dam it, if ye can." The
King, with a short laugh, borrowed tablet and ink-horn from his
scribe and made a note or two.
"When
I find a Scotch mason with an English apprentice building Norman
arches in the Danelaw," said Henry, "it is time to set him
building for England. I hear that William, whom they call the
Englishman, is at work in Canterbury. When you want work you may give
him this, and by the sight of God have a care that there is peace
among the building-stones."
David
must have done so, for on one of the stones in a world-famed
cathedral may be seen the mason's mark of David le Saumond and the
fish which is his token.
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